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Trumpet Player
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   Posted 4/13/2011 7:08 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
Good morning everyone-
 
OK I have a couple of questions about tuplets. First, is it possible to manually switch the number (move it from the note side of the tuplet to the beam side) on individual tuplets after there are numerous tuplets in a piece?
 
Also, I need to enter a triplet in 4/4 time that is a half note and a quarter note in the space of a half note. I can't quite figure out how to do this. If I enter a half note and click on it under the tuplet tool, and enter 3 quarter notes in the space of a half note (or 2 quarters), it only lets me do a half note and an eighth note under the triplet.
 
Thanks in advance for any help you can give me!

John


Finale 2010 Windows

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Mike Rosen
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   Posted 4/13/2011 8:13 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
1. Right-click on the number/bracket, and choose FLIP from the context menu
2. Read Tuplets with Simple Entry, at www.specialmillwork.com/finaletips.htm



Mike Rosen
www.specialmillwork.com

WebMaster and bass for the Seattle SeaChordsmen www.seachordsmen.org
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Simple Entry, QWERTY keyboard. That's my system, and I'm stickin' to it.

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COBI
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   Posted 4/13/2011 8:21 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
Trumpet Player said...
...I need to enter a triplet in 4/4 time that is a half note and a quarter note in the space of a half note.
I usually use Speedy Entry, and I have always had a bit of a hard time with this, too. But it can be done:

1. Go ahead and enter the notes all as quarter notes. Use two quarter notes on the same pitch in place of the half note.
2. Delete the second quarter note.
3. Change the value of the first quarter note to be a half note.

Voilá!

Kinda kludgey, I know, but it works.

If anyone knows an easier way to do this in Speedy Entry, I would love to know about it as well.


Chuck Beck
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www.swan-cross.com
My setup: Windows 7 (Home Premium); dual-core CPU; 8GB RAM; Finale 2011b; GPO 4

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Trumpet Player
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   Posted 4/13/2011 8:38 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
Thanks Mike and Chuck for the fast replies!
 
Mike - I do use a laptop, but maybe I should get a USB number pad!

Chuck - I can't quite get that to work. How can I delete that 2nd note of the tuplet, and then how do I change the first note to a half note? I tried using the eraser but then it won't let a half note in, only allowing 2 quarter notes and an eighth.
 
I seems to me that this is a problem the Finale people should fix for 2012!

John


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COBI
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   Posted 4/13/2011 8:47 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
[Again, using Speedy Entry:] Select the second quarter note and simply press the Delete key. This will temporarily move all succeeding notes and look all wrong, but don't panic. Select the first quarter note and then press 6. This converts the quarter note to a half note, and the succeeding notes will all move back to their proper places.


Chuck Beck
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www.swan-cross.com
My setup: Windows 7 (Home Premium); dual-core CPU; 8GB RAM; Finale 2011b; GPO 4

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Gareth Green
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   Posted 4/13/2011 8:57 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
COBI said...
If anyone knows an easier way to do this in Speedy Entry, I would love to know about it as well.

There are ways of reducing the number of key strokes slightly. The method I use is as follows:
 
Ctrl-3 (sets up triplet definition)
5 on first note (tells Finale it's a 1/4 note triplet)
Back space (no need to enter 2nd 1/4)
6 (converts 1/4 to half)
5 to enter 2nd note
 
I believe there is a way to reduce the number of keystrokes by a further one or two, but TBH I'm so used to doing it my way without thinking that I can't be a****d to adapt it ...


 
Gareth J. Green
 
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COBI
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   Posted 4/13/2011 9:11 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
Good suggestions, Gareth! Some of them I assumed, but I especially like the backing up part. Yep.


Chuck Beck
Swan-Cross, Ltd.
www.swan-cross.com
My setup: Windows 7 (Home Premium); dual-core CPU; 8GB RAM; Finale 2011b; GPO 4

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Fred G. Unn
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   Posted 4/13/2011 11:26 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
I use Gareth's method too. BTW, if you need to alter the settings of a lot of existing tuplets at once, select your region and use Utilities/Change/Tuplets.
Fred
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Trumpet Player
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   Posted 9/2/2011 10:00 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
Morning! OK I have another truplet problem. This time I need to enter these 3 notes in a tuplet in the space of a quarter note in 4/4 time - dotted eighth, sixteenth, eighth (the Beethoven 7 rhythm). So far it's just giving me a headache and I can't get it to work on my own. Any help is greatly appreciated! Thank you!

John


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Zuill
"The Troll"



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   Posted 9/2/2011 10:21 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
I know it's early, so I'm just going to have fun first. You used the word "truplet". Would that be a triplet for a trumpet? (Just kidding as I'm the king of typos.)

Anyway, there can be different ways. If you enter a standard 8th note triplet, can you then change the second 8th to a 16th, then dot the first? That would be simple, I think. Otherwise, there are other ways.

Zuill

P.S.: Love that Beethoven 7th. But why did they use it in The King's Speech? It seems they should have used something by a British composer (Walton would have suited me). Just curious. But love that 7th.


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Post Edited (Zuill) : 9/2/2011 10:25:47 AM (GMT-5)

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Mike Rosen
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   Posted 9/2/2011 10:29 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
In simple entry:
Enter the first note. ALT+9 to enter tuplet definition box. Set to 3 eighths in space of 2 eighths. OK. Enter next two notes.
This may leave an extra rest. Delete it.



Mike Rosen
www.specialmillwork.com

WebMaster and bass for the Seattle SeaChordsmen www.seachordsmen.org
Bass for What's Cookin' www.whatscookinvlq.com
FINALE TIPS at www.specialmillwork.com/finaletips.htm

Print Music 2004, 2006, 2008, 2009, 2010; Finale 2010b, 2011b
Simple Entry, QWERTY keyboard. That's my system, and I'm stickin' to it.

Favorite reference: Essential Dictionary of Music Notation, Gerou & Lusk, 1996



"As a musician, he's a damn fine woodworker."

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Trumpet Player
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   Posted 9/2/2011 11:20 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
Zuill-

You're right, I did write Truplet. Too much practicing the trumpet this morning and enough coffee!!

I thought the Beethoven 7 worked well in that movie. Which Walton piece would you have chosen? Something noble in the face of great odds. First Symphony perhaps? Elgar's First comes to mind, too.

I'll try that, Mike. Thanks!

John


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Ron.
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   Posted 9/2/2011 11:33 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
Trumpet Player said...
Thanks Mike and Chuck for the fast replies!


Mike - I do use a laptop, but maybe I should get a USB number pad!

Chuck - I can't quite get that to work. How can I delete that 2nd note of the tuplet, and then how do I change the first note to a half note? I tried using the eraser but then it won't let a half note in, only allowing 2 quarter notes and an eighth.



I seems to me that this is a problem the Finale people should fix for 2012!

John


If you turn off "check for extra notes" then you will no longer have this problem. Nothing needs fixing that I can see. I just create my tuple and delete and add notes as needed.


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Zuill
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   Posted 9/2/2011 11:42 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
As far as the movie, I was actually thinking of the Crown Imperial written for his coronation. The second theme is good if the first is too roudy. However, Nimrod from the Enigma variations by Elgar would work.

Zuill

P.S.: I did at first speculate that the Beethoven was used as irony, as England was at one time part of the Holy Roman Empire (or at least connected to it through marriage and political appointment), and maybe that had something to do with it as war between England and Germany, at least historically, would be tantamount to a family feud. Maybe there's an answer out there that would be interesting to know.


"When all is said and done, more is said than done."
 
Finale 2002b, 2003a, 2004b, 2005b, Win XP SP3, 2011b Win 7 64bit
 
Favorite Forum quote: "Please, everybody, IGNORE THE TROLL!"

Post Edited (Zuill) : 9/2/2011 11:57:16 AM (GMT-5)

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Motet
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   Posted 9/2/2011 12:04 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Ron, the post you're quoting is months old. He asked a new question: dotted eighth+sixteenth+eighth in the space of a quarter note.

Not at my Finale machine right now, but in Speedy entry, I believe you can just type Ctrl-3. Then entering the first eighth will set things up for three eighths in the space of a quarter, so you can add the dot and then the other two notes. If that doesn't work, then using Ctrl-1 plus Enter in place of Ctrl-3 certainly will.

Beethoven's 7th is, of course, in 6/8.


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Ron.
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   Posted 9/2/2011 12:44 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Motet said...
Ron, the post you're quoting is months old. He asked a new question: dotted eighth+sixteenth+eighth in the space of a quarter note.

Not at my Finale machine right now, but in Speedy entry, I believe you can just type Ctrl-3. Then entering the first eighth will set things up for three eighths in the space of a quarter, so you can add the dot and then the other two notes. If that doesn't work, then using Ctrl-1 plus Enter in place of Ctrl-3 certainly will.

Beethoven's 7th is, of course, in 6/8.


I was reacting to the assumption that because the poster didn't know how to do something that it must be a bug to be fixed.

As for the time signature of Beethoven's 7th: it depends on which movement you are talking about. devil


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Flint
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   Posted 9/2/2011 12:44 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Motet said...

...I believe you can just type Ctrl-3. Then entering the first eighth will set things up for three eighths in the space of a quarter, so you can add the dot and then the other two notes.
This is correct.


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If the composer says in effect to the performer: "I do not care whether you perform my music or not," we cannot argue the matter. But if he indicates: "I want you to perform and respond to this music," then his fundamental duty is to write his music so that it is accessible to interpretation. When the performer cannot approach the composer's meaning because of capriciously obscure notation, he may in effect say to the composer: "Why should I bother to puzzle out your music?" - Gardner Read

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