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MakeMusic Forum > Public Forums > Finale - Windows - FORUM HAS MOVED! > Horn notation, slightly OT | Forum Quick Jump
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| Gareth Green Player of fine trumpets
Date Joined Oct 2001 Total Posts : 2943 | Posted 3/29/2013 7:39 AM (GMT -6) | | Look up "transposing instruments".
Gareth J. Green
Fin2012c, running under Vista 64-bit
(Core2Duo E8400@3.00GHz; 8Gb RAM; SB X-Fi Extreme Audio, ATI Radeon HD 4650.)
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"An expert is a person who has made all the mistakes that can be made in a very narrow field." - Niels Bohr (1885 - 1962)
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| Jim Williams Registered Member
Date Joined Jan 2008 Total Posts : 728 | Posted 3/29/2013 9:23 AM (GMT -6) | | Ron~If the piece is in C concert, the horn part, if it has a keysig, will show a keysig of G (one sharp)
F Horn music sounds a fifth lower then the written pitch (NOT a fourth higher), so a written Middle C for the F horn sounds the F on line 4 of the bass staff.
AND: The same scheme should hold for horn in bass clef.
Jim (plays horn parts on euphonium in his brass 5tet) Williams
WinFin 2012, 2011</div>Core-i7 laptop, 16 gB RAM, Win 8 2 Core 2 duo laptops, Win 7 Enterprise and XP Pro iPad 3 w/Zagg Folio Miraphone 5050 and Yamaha 321 Euphoniums Yamaha 621 Baritone Horn, Holton 58 Bass Trumpet, blue pBone. | Back to Top | |
| Zuill "The Troll"
Date Joined Oct 2003 Total Posts : 29077 | Posted 3/29/2013 9:46 AM (GMT -6) | | If it's written a step up, and no signature, it might be a Bb horn.
Zuill "When all is said and done, more is said than done."
Finale 2002b, 2003a, 2004b, 2005b, Win XP SP3, 2011b Win 7 64bit, 2012a Bought and Paid For (Hopefully soon 2012b with some of the MAJOR BUGS fixed--well, now with 2012b and some of the bugs are fixed) 2012c, with some bug fixes
Favorite Forum quote: "Please, everybody, IGNORE THE TROLL!" | Back to Top | |
| Harpsi Registered Member
Date Joined Jul 2004 Total Posts : 495 | Posted 3/29/2013 11:24 AM (GMT -6) | | OK, another go.
I am working on a Rameau opera, from around 1760, so the horns in use are natural horns. Sofar there have been pieces in F, C, D and G-major, all the time notated in g-clef and in the key of C. This means that the horn player picks the appropriate horn for the key in use (I am saying this just to let you know that I know..!).
But in this particular piece, the horns are notated in a way that is a bit different (see attached file, third staff). If I assume that the clef is wrong and read it as if it had a tenor clef one octave up, it will work with the other parts, and the player can use a natural horn in G. But why notate like that? Is there a reason I don't know of? Finale 2011, XP. Midi via gameport.
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| Gareth Green Player of fine trumpets
Date Joined Oct 2001 Total Posts : 2943 | Posted 3/29/2013 12:33 PM (GMT -6) | |
David Ward said... Actually, there does seem to be something odd here. If these are for horns in F, horn 1 has quite a few concert B flats: no-one else appears to have a B flat. But then, of course, this is for natural horn. The 11th harmonic is between F and F sharp, until modified by the hand. Maybe there was an assumption in France at the time that the note would be modified and played as an F sharp (sounding B natural) if that was what the key required, even without there being a sharp in the score. Then it does make sense.
Not really. The 2nd Horn part still has lots of written 'A's, which are not part of the harmonic series. Again, there is a very flat written Bb available, which I suppose could be adjusted by hand, but I've never before seen natural horn writing like that. In later periods, virtuosi players of the hand horn had mastered the art of controlling the intonation to make many more chromatic notes available than were normally considered "standard", but I would be surprised if that were expected in Rameau's time. In any case why bother, when a G horn is available? In terms of natural harmonics, it only makes sense if the parts should be for Horns in G, and the note positions are a 2nd out.
My conclusion is that either Rameau or his copyist had spent rather too much time in the tavern ...
Gareth J. Green
Fin2012c, running under Vista 64-bit
(Core2Duo E8400@3.00GHz; 8Gb RAM; SB X-Fi Extreme Audio, ATI Radeon HD 4650.)
Stolichnaya Blue
"An expert is a person who has made all the mistakes that can be made in a very narrow field." - Niels Bohr (1885 - 1962)
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| Michel R. E. Registered Member
Date Joined May 2003 Total Posts : 7430 | Posted 3/29/2013 12:40 PM (GMT -6) | | assuming those Fs should be sharp, otherwise, all of the notes once transposed for horn in F fit perfectly as far as the overall key is concerned. Finale (started with ver. 3.0) 2010, 2011, 2012b installed Win XP basically ALL Garritan sounds, plus XSample Chamber Ensemble.
"There are two novels that can change a bookish fourteen-year old's life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs." ~John Rogers | Back to Top | |
| Michel R. E. Registered Member
Date Joined May 2003 Total Posts : 7430 | Posted 3/29/2013 12:57 PM (GMT -6) | | no idea, but I just listened to the "Air" in question, and the score most definitely represents what I heard: horns in F, with those Fs being sharp. Finale (started with ver. 3.0) 2010, 2011, 2012b installed Win XP basically ALL Garritan sounds, plus XSample Chamber Ensemble.
"There are two novels that can change a bookish fourteen-year old's life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs." ~John Rogers | Back to Top | |
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