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Dr. Wiggy
Early music: modern methods



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   Posted 8/20/2013 4:45 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
I've just noticed that I'm getting yellow "out-of-range" notes on a Trumpet in C part, and they seem quite low: On Beginner, they start at E (top space of Treble staff). On intermediate, they start at G (two notes above).

The trumpet in B flat ranges seem to be one note higher. (Is that expected, or weird -- can't work out transposing instruments!)

I played the trumpet for about a year when I was 10. I was rubbish, but I'm fairly sure I could play a G. Couldn't I?


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David Ward
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   Posted 8/20/2013 4:58 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
I suspect these 'yellow note' ranges are fairly arbitrary.

A professional should be able to play up to a written high E (three ledger lines above the stave) on a B flat trumpet, with due allowance for context, endurance &c &c. It shouldn't be too long before a beginner can play up to the written G immediately above the stave. Other things being equal (mouthpiece &c), it takes roughly the same amount of effort to play the same sounding pitch on either a C or a B flat trumpet.

EDIT: I should add that my instrument is the bass trombone, not the trumpet. However, I'm pretty sure I'm right (I even did a stint as a peripatetic brass teacher in the 1970s).


David Ward
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Post Edited (David Ward) : 8/20/2013 5:23:43 AM (GMT-5)

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Dr. Wiggy
Early music: modern methods



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   Posted 8/20/2013 7:09 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
And apparently, a "beginner" Tenor can't sing a G above middle C.


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Christopher Smith
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   Posted 8/20/2013 8:57 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
Yeah, I've noticed inconsistencies in the ranges as well. For example, they expect Maynard Ferguson on trumpet up to high G (4 ledger lines) but the trombone players top off as if they were in junior year of high school on B flat above the staff (also 4 ledger lines, but in bass clef!)

Apparently, the ranges can be edited, but you need a special editor to edit the file the ranges are stored in. Urg.


Christopher Smith

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Jetcopy
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   Posted 8/20/2013 11:16 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
The ranges might be inconsistent, but for the Intermediate trumpet, a G above the staff sounds right to me. I write for middle school concert bands (which I would consider intermediate), and the G above the staff has a limited use. And the E above it for beginners also sounds right. There always will be exceptions though.


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jim dukey
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   Posted 8/20/2013 11:32 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
Extreme ranges are a trap!
Just because someone can "hit" some high notes doesn't mean they will sound good.
Write high E on Tpt at your peril! That's F# on Bb Tpt- Big Band Lead Players get that all the time.
Orch Prin players can do it, but still...
Modern Composer/Arrangers are High-Note Happy!
Woodwind parts can be ridiculous.
Every piece is not a Concerto.


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Post Edited (jim dukey) : 8/20/2013 11:37:50 AM (GMT-5)

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Spideriffic
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   Posted 8/20/2013 10:36 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
I'd say the trumpet ranges are reasonable. There are many factors that affect range, notably how much time is being spent practicing. I have four hundred elementary and junior high school students that I teach weekly (with the aid of my teaching assistants). I often write arrangements for them. I teach in private schools, and instruction time for most students is 30 or 40 minutes weekly at best. Despite my pleading for more, my typical student practices at home 2 or 3 times per week for 20 minutes. Add that up and you don't achieve great trumpet chops. My better trumpet beginners (usually 9 years old) play a "decent" third space C on a Bb trumpet at the end of their first year of instruction. I wouldn't write that note in an arrangement until I'm writing for kids that have played for a couple of years. My better intermediate students (12 years old, playing for 3 or 4 years) can play an E or F. My goal in writing for these kids is giving them something that they won't struggle with and can play with confidence in a performance. I write above a D sparingly if at all. That's not to say that I don't try to challenge my kids with more difficult things, but I won't take unnecessary risks in front of an audience.
Having said all that, I know that my own kids went to public school, played in band every day, and achieved some pretty good chops despite zero home practice. Most public school students can play rings around my students because they just play their horns more often. When I was ten years old, I played the trumpet. I could play a big fat G on top of the staff. I'm not bragging, I just was a band nerd before there was any internet to distract me. Nothing better to do, so I practiced.


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David Ward
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   Posted 8/21/2013 4:46 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
Practice for the beginner is of course crucial. When I said above: “It shouldn't be too long before a beginner can play up to the written G immediately above the stave”, I was assuming some practice every day. During my frustrating attempts to teach brass in several schools in the 1970s, I encountered pupils who didn't practice. I suggested to them the analogy of wanting to play football, but then taking no exercise between games. It usually got the point across, but sometimes only temporarily.


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KennethKen
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   Posted 8/21/2013 9:12 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
It's a shame Finale's instrument ranges are not easily editable and so inconsistent. It's almost like MM didn't consult a professional teacher of the particular instrument before creating these ranges. The trumpet ones that you mention don't sound too bad but other ranges are laughable. lol


 
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jim dukey
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   Posted 8/21/2013 9:45 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
I think they want you to buy a Complete Gartitan Product to get
the Ranges extended.
I miss Low C on Bass Clarinet. There is a way to edit the range, but it's over my pay grade.


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Flint
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   Posted 8/21/2013 10:21 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
That low C is still a rarity in the real world, Jim. Not every person has $10,000+ to drop on three extra notes that only appear in works written within the past 30ish years.


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If the composer says in effect to the performer: "I do not care whether you perform my music or not," we cannot argue the matter. But if he indicates: "I want you to perform and respond to this music," then his fundamental duty is to write his music so that it is accessible to interpretation. When the performer cannot approach the composer's meaning because of capriciously obscure notation, he may in effect say to the composer: "Why should I bother to puzzle out your music?" - Gardner Read

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jim dukey
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   Posted 8/21/2013 10:23 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
That's funny! In MY World, it's the Standard.


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Flint
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   Posted 8/21/2013 10:27 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
*chuckle* In my world, most orchestras play strictly dead music, unless forced/paid extra.


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If the composer says in effect to the performer: "I do not care whether you perform my music or not," we cannot argue the matter. But if he indicates: "I want you to perform and respond to this music," then his fundamental duty is to write his music so that it is accessible to interpretation. When the performer cannot approach the composer's meaning because of capriciously obscure notation, he may in effect say to the composer: "Why should I bother to puzzle out your music?" - Gardner Read

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jim dukey
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   Posted 8/21/2013 10:28 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
That's funny! In MY World, it's the Standard.
You're welcome to not use it, but you can't play Bass Clarinet in a Professional Orchestra without it.
Some go so far as to have Both Kinds of Bass Cl.
Petroushka has Low D, it's a little over 30, same with Prok, many others!
Even Tchaik 6th has Low D.
Dead Music? Not when WE Play it!
"Clarinet to Co-Clarinet - Pull Out, Pull Out!!!!!!!!"


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Post Edited (jim dukey) : 8/21/2013 10:32:07 AM (GMT-5)

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David Ward
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   Posted 8/21/2013 11:04 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
jim dukey said...

Even Tchaik 6th has Low D.
Isn't that Tchaikovsky example a conductor's edit to replace the pppppp bassoon (see scan), which in any case only descends to written E (sounding D)? There is no bass clarinet in the original score.

However, a little later - eg Rimsky - Russian composers did regularly write down to the low D sounding C. Here in the UK instruments descending to low C sounding B flat are now completely standard. I've even heard one in a village hall in rural northern Scotland. No UK professional could survive without access to one.


David Ward
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Post Edited (David Ward) : 8/21/2013 1:08:33 PM (GMT-5)


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jim dukey
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   Posted 8/22/2013 12:53 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Thanks David, I was a little off!

"No UK professional could survive without access to one."
Here too, even Show Players have them.


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James Lund
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   Posted 8/29/2013 1:03 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
KennethKen,

"It's almost like MM didn't consult a professional teacher of the particular instrument before creating these ranges."

I know it's meant to be tongue-in-cheek, but they used both instrumentation reference texts and confirmed each instrument with professional performers and educators. I was one of several trumpet players consulted on the trumpet family ranges, and each of us had slightly different opinions as to what "Beginner," "Intermediate," etc. really means. So, reasonable folks will disagree, but I agree with everyone here that it'd be nice to have it easily-editable to your preference.

For Wiggy's original question, it'd be pretty unlikely for a 10-year-old playing for less than a year to be able to play above the staff without regular guided practice. It is doable if you have that, however. The extreme range for trumpet does have notes in the classical canon going up to concert F6 (not just jazz) and the player presented with that kind of part will switch to piccolo on their own. Although, David Maslanka's 4th symphony has E6 in the principal trumpet part on the Bb mezzo trumpet as well as picc parts - he wanted the color that playing in that register gives. I told him I hated him for it, and he took it for a joke. My vision was swimming by the end of that piece.


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Motet
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   Posted 8/30/2013 10:55 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
"Mezzo trumpet" sent me running to Google. Never heard of that. I gather it's a neologism, a cornettish trumpet, "mezzo" meaning half cornet rather than an analog of a mezzo-soprano to the ordinary trumpet's soprano. Right?


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KennethKen
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   Posted 8/30/2013 7:37 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
James Lund said...
..., and each of us had slightly different opinions as to what "Beginner," "Intermediate," etc. really means. So, reasonable folks will disagree,...
Part of the problem is that the category of Intermediate or Advanced player is not clear.
 
Is Finale trying to show the difference between an intermediate and advanced high school player, an intermediate and advanced middle schooler or across the entire career spectrum i.e., beginner<3 years playing, intermediate=3-7 years playing with some private training, advanced>7 years with private training?
 
A more customizable, 2 or 3-tier range checker at the document level would be great. So a user could first categorize a file as, say, a piece for high school band and then further set the range display to intermediate or advanced.
 
As it stands now Finale shows middle C as a note that is out of range of "an advanced tuba player" (this is the laughable data that I mentioned)lol! This may be true for an advance middle school tuba player but, if trying to advise a Finale user on the wider spectrum of expected tuba players' proficiency, this does not jive with my experience, many audition all-state lists or the etudes that even collegiate freshmen use. For example, the Vaughan Williams tuba concerto, cited as audition repertoire on many undergraduate audition lists gets up to the "out-of-range middle" C by the 12th note of the piece. The Gregson Concerto, appearing on many high school festival/all-state lists, is up there by the 3rd line of page one. And these pieces are consider standard fare. They would actually be considered too easy for some of the more intense competitions so showing them as out-of-range is very misleading when compared to industry expectations and actual practice.
 
Ken


 
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Christopher Smith
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   Posted 8/31/2013 8:45 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Here's the funniest example. Ranges are set to "Advanced."

High G on Bb trumpet is still okay. Maynard Ferguson, anyone?
High Cb (Bnat) on trombone is not! I could play that on BASS trombone when I was 17, never mind tenor.


Christopher Smith

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KennethKen
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   Posted 8/31/2013 10:00 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Christopher Smith said...
Here's the funniest example. Ranges are set to "Advanced."

High G on Bb trumpet is still okay. Maynard Ferguson, anyone?
High Cb (Bnat) on trombone is not! I could play that on BASS trombone when I was 17, never mind tenor.
And as any brass player knows, playing a high Cb is easier than playing a high B natural. Actually playing most high flats is easier than their enharmonic sharps. Must be something in our early childhood programming.;-)


 
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James Lund
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   Posted 9/6/2013 3:25 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
I always found it easier to hit high H than Cb or B.


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