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diz
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   Posted 12/17/2015 7:12 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
I notice that the clarinet in A uses the B flat clarinet sound file. This is fine EXCEPT if you need to write for its lowest note (written E, sounding C sharp).

This does not playback (as the bottom note of the B flat clarinet is a D).

Any workaround?


Finale 2012A.r3
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Zuill
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   Posted 12/17/2015 7:27 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
There's a way to add notes to the sound file. I believe the instructions are somewhere in the FAQ's page on the MM website.

Zuill


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diz
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   Posted 12/17/2015 7:45 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
OK, Zuill, thank you - I'll hunt that one out.


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Zuill
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   Posted Yesterday 8:21 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
I suppose that, if the note is rare, one could use the bass clarinet for that one note, if it is easier. Or, buy GPO, which probably has an A clarinet. One can always use the SoftSynth, which doesn't have the low note limit.

Zuill


"When all is said and done, more is said than done."
 
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Favorite Forum quote: "Please, everybody, IGNORE THE TROLL!"

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Vaughan
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   Posted Yesterday 9:05 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
I'd like to try changing the sound file to include the lowest A clarinet note but I wasn't able to find the FAQ on the website or any information on how to add notes to the sound file (or even what it's called and where to find it). Can someone point me in the right direction? Thanks!


Vaughan

Finale 3.2 - 2014.5, Sibelius 4 - 7
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Zuill
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   Posted Yesterday 12:44 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
http://garritan.custhelp.com/app/answers/detail/a_id/5333
 
Zuill


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Favorite Forum quote: "Please, everybody, IGNORE THE TROLL!"

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David Ward
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   Posted Yesterday 3:05 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
This is something I've been vaguely meaning to try some time, especially with the low clarinets - and now chivvied along by this thread …

However, I'm still a little uncertain. Looking at the screenshots of the .sfz files, I'm fairly sure that to get the contrabass clarinet down from the current contrabass C to the B flat, what I have to do is to change the 'lokey' value arrowed from =24 to =22. However, how I should proceed with the Bass clarinet, which currently goes to the B natural below cello C, but ought to go down to the B flat, is a little less certain. Should I change the 'key=35' to 'hikey=35' and precede it with 'lokey=34' (the two instructions separated by spaces as with the Cb Clar)?

Would doing these things be a) correct and b) enough without any other changes? For instance: should I add 'pitch_keycenter=35' as an instruction when adding the extra low semitone to the B Clar?



David Ward
www.composers-uk.com/davidward

Finale 2014d with Mac 10.9.5
Finale 2010b with Mac 10.6.8
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Since 2001 have used F 2001, 2003, 2007, 2009, 2010, 2014

“We enjoy the comfort of opinion without the discomfort of thought.” JFK

Post Edited (David Ward) : 12/18/2015 2:30:25 PM (GMT-6)


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Motet
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   Posted Yesterday 4:13 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
MM really should fix this to conform to reality. Perhaps you can get them to do that, since just a text file that would be replaced.


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Zuill
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   Posted Yesterday 4:59 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
I don't think it is just a matter of text. It has to direct the playback to a specific audio sample. If the sample doesn't exist, then there's no sound. At least, that is my result. For example, I tried to extend the Bb clarinet down one note. I duplicated the note 50 line and changed the value to 49, which should be concert C#. However, there is no C# clarinet audio sample. The only way I could get sound was to direct it to the Bass Clarinet C#2 audio sample. Does anyone else have a better workaround?

Zuill


"When all is said and done, more is said than done."
 
Win 7 64bit, 2011b, 2012c, 2014d, 2014.5 
 
Favorite Forum quote: "Please, everybody, IGNORE THE TROLL!"

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Zuill
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   Posted Yesterday 5:20 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Aha. I figured it out. Where the value said 50, I replaced the single value with a lowkey 49 and high key 50. Then it triggered the D sample and played it as C#. To further test the method, I changed the 49 to 48 and got a low C.

Whew.

Zuill


"When all is said and done, more is said than done."
 
Win 7 64bit, 2011b, 2012c, 2014d, 2014.5 
 
Favorite Forum quote: "Please, everybody, IGNORE THE TROLL!"

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David Ward
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   Posted Yesterday 5:29 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Zuill said...
Aha. I figured it out. Where the value said 50, I replaced the single value with a lowkey 49 and high key 50. Then it triggered the D sample and played it as C#. To further test the method, I changed the 49 to 48 and got a low C.
Without the need to add anything else (such as the 'pitch_keycenter= ' which I asked about in my post above)?


David Ward
www.composers-uk.com/davidward

Finale 2014d with Mac 10.9.5
Finale 2010b with Mac 10.6.8
full TGTools

Since 2001 have used F 2001, 2003, 2007, 2009, 2010, 2014

“We enjoy the comfort of opinion without the discomfort of thought.” JFK

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Zuill
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   Posted Yesterday 6:12 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Not sure, but I believe the keycenter needs to match the audio sample pitch. So, for example, if I have 49 and 50 sharing an audio sample, the keycenter of 50 needs to then be matched by choosing D as the pitch of the sample.

Maybe I'm wrong, but that seems to be the way it looks in the list. From the folder with the audio samples, it appears not every pitch is sampled. So, whenever 2 or more pitches share a sample, the lowkey represents the lowest pitch triggereing the sample, and the highkey the highest note. Then, the keycenter is the MIDI value matching the pitch of the actual audio sample used.

Zuill

P.S.: I'm not sure what the offset is, so I don't know if that needs changing. I created an extended Bass Clarinet file that goes to the Bb (Concert). As with the A Clarinet extension, I did the modification in 2 places in the file.


"When all is said and done, more is said than done."
 
Win 7 64bit, 2011b, 2012c, 2014d, 2014.5 
 
Favorite Forum quote: "Please, everybody, IGNORE THE TROLL!"

Post Edited (Zuill) : 12/18/2015 5:40:22 PM (GMT-6)

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David Ward
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   Posted Today 11:11 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
I'm posting to confirm that I successfully extended the GIFF range for Bass Clarinet down a semitone and B flat Contrabass Clarinet down a whole tone by proceeding exactly as I was contemplating in my first post above, including the addition of the text ‘pitch_keycenter=35’ for the stretched Bass Clar region, although I don't know whether or not this was actually necessary; but it did no harm.

How effective might this technique be for considerably extending some of the string ranges upwards? If I do need a playback file (not always) I currently resort to SoftSynth for strings because of the less than full range of the GIFF samples.


David Ward
www.composers-uk.com/davidward

Finale 2014d with Mac 10.9.5
Finale 2010b with Mac 10.6.8
full TGTools

Since 2001 have used F 2001, 2003, 2007, 2009, 2010, 2014

“We enjoy the comfort of opinion without the discomfort of thought.” JFK

Post Edited (David Ward) : 12/19/2015 11:56:03 AM (GMT-6)

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Vaughan
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   Posted Today 3:36 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
After a little experimentation, I was able to extend the range of the Bb clarinet to include the lowest note of the A clarinet. It wasn't made easier by the fact that the OS wouldn't give me sufficient permissions to change the files directly in their location. I had to move them to another spot, change attributes, make the change to the files and move them back, authenticating the whole time. After all this I was tempted to post the files here but I'd probably get into trouble with MM, despite their unnecessary oversight. Instead I'm posting screen shots of the salient portions of the solo clarinet sfz file. The same changes have to be made to the other 3 clarinet sfz files, i.e. changing the lokey value from 50 to 49 twice in each file.


Vaughan

Finale 3.2 - 2014.5, Sibelius 4 - 7
Tobias Giesen's plugins, full version, Robert Patterson plugins, Dolet 6 plugin
MacOS 10.11.1
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