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Bill Reed
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   Posted 3/24/2014 9:16 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
jBridge would be a much simpler and straight forward solution.


Finale 2014 (Fingers Crossed), Notion 4, Overture 4, Cubase 7.5

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zil
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   Posted 3/24/2014 1:37 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
jBridge, Bidule Plogue.. whatever works, but where do find a guide for all the setup? :( I'm still in the dark when it comes to a step-by-step tutorial for this.
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Bill Reed
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   Posted 3/24/2014 2:17 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Whatever product you use would come with it's own instructions.


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La Leyenda
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   Posted 3/24/2014 2:47 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Have fun with that. Good luck


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zac100
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   Posted 3/26/2014 4:55 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Ron, I'm not sure what zil meant by "weird time signatures," but I'd think that time signatures without "denominators," time signatures with notes (a la Orff) as denominators, at least, are common enough that they should be able to be achieved without workarounds. As for key signatures, I agree in principle that the further you stray from the beaten path, you risk confusion. But I'd like to be able to achieve concert F-flat major without workarounds (includes Bbb in the key signature), and non-standard key signatures like Bartok used almost 100 years ago (Bb and F# in the same signature).
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Jari Williamsson
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   Posted 3/26/2014 5:50 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
zac100 said...
But I'd like to be able to achieve concert F-flat major without workarounds (includes Bbb in the key signature)


Actually, earlier Finale were able to do that in the UI. It was removed from the UI a couple of versions ago, but I believe it's still technically possible.

zac100 said...
and non-standard key signatures like Bartok used almost 100 years ago (Bb and F# in the same signature).


I use it that all the time. There shouldn't be any problem there, although the UI for non-standard key sigs are pretty awkward. But everything is there in the Finale documentation, I believe.


Jari Williamsson

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Post Edited (Jari Williamsson) : 3/26/2014 5:10:28 PM (GMT-5)

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zac100
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   Posted 3/26/2014 5:56 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Jari,
You're absolutely right about the non-standard key signatures. It's there, and is in the documentation. I guess it's just that the method of inputting those key signatures doesn't seem very intuitive to me.

And for the F-flat major key (and others) -- I *thought* I remembered being able to do that somewhere in life! Thought I was going crazy...
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Motet
Isorhythmic



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   Posted 3/26/2014 6:03 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
I tried to get F flat by setting the concert key to C flat and then setting the staff transposition to G, but, oddly, it added a D natural to the key signature!


Finale 2011b, 2005, TGTools
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Peter Thomsen
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   Posted 3/26/2014 6:05 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
zac100 said...
…I'd like to be able to achieve concert F-flat major without workarounds (includes Bbb in the key signature), and non-standard key signatures like Bartok used almost 100 years ago (Bb and F# in the same signature).

Both are possible without workarounds:
From the dialog box Key Signature, use the pop up menu at the top, and choose "Nonstandard…".
You get to the dialog box Nonstandard Key Signature.
Click the button "Next" twice to get to Linear Key Format 2 (the Linear Key Formats 0 and 1 are "hardwired" and can not be customized to give what you want).

1) To get concert F♭ major, scroll the accidentals down to 8 flats (you will see B𝄫 in the key signature).
There is not much "nonstandard" in this, really.

2) To get the special Bartok key signature with B♭ and F♯, scroll down to 2 flats.
Click the button "Acc. Order". You get to the dialog box Accidental Order and Amount.
Click the button "Prev" twice to get to Unit -2 (= the second flat).
It should say
Step Level: 2 (= E; since C = 0)
Amount: -1 (= flat)
Change to
Step Level: 3 (= F)
Amount: 1 (= sharp)

By The Way:
In a score with transposing instruments in flat transpositions like B♭ and E♭ I would not mind using concert F-flat major.
But a Bartok key signature with B♭ and F♯ is a different story.
I would only use a such key signature in a piano score.
In an orchestration of a such piece I would notate with the traditional key signatures that do not mix flats and sharps, and use note accidentals instead.
Better safe than sorry.

Peter


Mac Finale, 2011c, 2012c & 2014a, Dolet 6.4 plug-in, Mac OS X 10.9.2, iMac Intel Core i7, 2.93 GHz, 16 GB RAM

Post Edited (Peter Thomsen) : 3/26/2014 5:16:23 PM (GMT-5)

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Motet
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   Posted 3/26/2014 6:07 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
To get F flat, just pick non-standard, then click the down-arrow.


Finale 2011b, 2005, TGTools
Windows XP

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Motet
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   Posted 3/26/2014 6:08 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Peter beat me to it!


Finale 2011b, 2005, TGTools
Windows XP

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zac100
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   Posted 3/26/2014 6:11 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
There it is -- thanks, guys! (And Peter, you're right -- this isn't really a "workaround." I guess my complaint is that I'd like it to be more immediately obvious what to do, rather than memorizing the different values for the AOrdAmt option...and who came up with that catchy name, anyway?)
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Motet
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   Posted 3/26/2014 6:12 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Apparently, F 18º flat major is possible:


Finale 2011b, 2005, TGTools
Windows XP

Post Edited (Motet) : 3/26/2014 5:16:05 PM (GMT-5)


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Zuill
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   Posted 3/26/2014 7:34 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Awesome.

Zuill


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zac100
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   Posted 3/26/2014 7:36 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
That is the best news all week!
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Motet
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   Posted 3/26/2014 8:52 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Just out of curiosity, Zac, why do you want Fb major? Is it the result of modulating down a fifth from Cb, or somesuch?

Re Bartok, I've seen those key signatures in the Mikrocosmos. Did he use them in other pieces?


Finale 2011b, 2005, TGTools
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zil
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   Posted 3/27/2014 8:06 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
Also, something that really bothers me is the loss of the old, simple UI for the instrument list, where you could manually input numbers for volume, panning etc? I don't want to turn knobs! :S
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ttw
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   Posted 3/27/2014 8:32 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
I hate the wheels, sliders, radio knobs, etc. A numerical entry is not only simpler, it's much faster.


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La Leyenda
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   Posted 3/27/2014 9:04 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
ttw said...
I hate the wheels, sliders, radio knobs, etc. A numerical entry is not only simpler, it's much faster.


If only mixers would stop coming with those stupid faders and knobs then we'd be SET! Nice and proper.


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Michel R. E.
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   Posted 3/27/2014 9:05 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
zil said...
Also, something that really bothers me is the loss of the old, simple UI for the instrument list, where you could manually input numbers for volume, panning etc? I don't want to turn knobs! :S


is this something that was changed in Finale 2014?

was the Score Manager interface changed in this latest version?


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Mike Rosen
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   Posted 3/27/2014 9:17 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
No, it was not. Maybe the poster is still looking for the Instrument List, and doesn't know it's now the Score Manager?



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Dr. Wiggy
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   Posted 3/27/2014 9:35 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
zil said...
Also, something that really bothers me is the loss of the old, simple UI for the instrument list, where you could manually input numbers for volume, panning etc? I don't want to turn knobs! :S

You may need to add columns for volume and panning to the default display of the Score Manager, but they are there, and you can then enter numbers easily enough.


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Charles Lawrence
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   Posted 3/27/2014 9:55 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
Slightly off topic, but for what it's worth, my Transposition Chart, the one with the small scale images depicting how a C Maj scale would look when the given transposition was applied, had several of these "non-standard" key signatures, including 8♭'s, which is what you get when applying a G# transposition.


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Post Edited (Charles Lawrence) : 3/27/2014 10:20:23 AM (GMT-5)


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Ron.
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   Posted 3/27/2014 10:29 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
zil said...
Also, something that really bothers me is the loss of the old, simple UI for the instrument list, where you could manually input numbers for volume, panning etc? I don't want to turn knobs! :S


Attached an image of the "instrument list" in Finale 2014. Where are these knobs you are referring to? I can only "manually input numbers for volume, panning."


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Zoots
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   Posted 3/27/2014 12:27 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
My guess the reference is to the Aria player.


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