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OCTO.
The radical answers.



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   Posted 4/21/2012 3:42 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Any idea how it should be with barlines, stems, staff lines, ledger lines?

Do you use a custom setting?

I go with Staff 0.008, Ledger 0.009, Barline 0.009, Stem 0.01.


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INGLISH iz not maj modr-toung!

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Dr. Wiggy
Early music: modern methods



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   Posted 4/21/2012 3:47 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
OCTOECHOS said...
I go with Staff 0.008, Ledger 0.009, Barline 0.009, Stem 0.01.

Light years? Kilometers? Furlongs? :smilewinkgrin

Check out Finale's "European template", which has different line thicknesses.


"This is me helping."

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Ancient Groove Music www.ancientgroove.co.uk

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OCTO.
The radical answers.



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   Posted 4/21/2012 4:19 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
inches. Sorry.....


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Peter West
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   Posted 4/21/2012 5:52 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
The actual thickness in spaces is dependent on the rostral (staff size), so for small scores the lines will be relatively thicker than large parts.

However the ratios are
staff line is thinnest
Stems and leger lines are the same thickness, about 25% thicker than staff lines
Barlines next about 50% thicker than staff lines


Publisher house styles may vary when old copper plate engravers were working to very specific measurements.

Generally publishers are not so specific now. My default settings for parts (7-8mm staff)

Staff lines 0.022 spaces
Stems and leger lines 0.026 spaces
Barlines 0.033 spaces


Peter
Music Publishing Services

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OCTO.
The radical answers.



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   Posted 4/22/2012 3:25 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
Peter West said...
The actual thickness in spaces is dependent on the rostral (staff size), so for small scores the lines will be relatively thicker than large parts.


I am curious how to get different thickness for different staffs? When I check some scores (like chamber music with piano) I notice that staff lines of piano and the rest (smaller size) is not the same, and the noteheads are not the same. Smaller staff = bolder noteheads.


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INGLISH iz not maj modr-toung!

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Jari Williamsson
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   Posted 4/22/2012 5:15 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
Regarding line thickness, please don't miss the interview with Steve Fiskum that was published on the Finalemusic blog a couple of weeks ago.


Jari Williamsson

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Wess
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   Posted 4/22/2012 3:44 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Hi Ochtoechos,

this is very interesting.
In real world, using printer with resolution 1200 DPI the useful possibilities are only those, which are close to the integer number of lines, that printer might produce.
So, with 1200 DPI the settings you can make a choice form, are only:
6 lines = 0.127 mm = 0.00500 inches
7 lines = 0.148 mm = 0.00583 inches
8 lines = 0.169 mm = 0.00667 inches
9 lines = 0.191 mm = 0.00750 inches
10 lines = 0.212 mm = 0.00833 inches
11 lines = 0.233 mm = 0.00917 inches
12 lines = 0.254 mm = 0.01000 inches

If you apply scaling, the values must be divided by 0.xx %
For instance: using 59% scaling to get 5 mm staff: 0.005 inches / 0.59 = 0,008474576271186. This should be the value on box.
Since you can use 100% system and page, the only staff hight is to be input. Just say 5 or 7 etc (mm).

Score 4-5 mm Rostral:
IMO 6 lines is OK for staff, 8 stems, 9 bar lines and 10 (at most 11) ledger lines.

Piano-Vocal 6-7.5 mm Rostral:
Staff - 8 lines
Stem -9
Bar line -10
Ledger line -12

Any other values would be approximated to the integer ones.

Well, if the photocopy is to be made on film, the resolution my vary between 2400-8000 DPI, but 2400-4000 is more then perfect.
Less then 0.127 mm/ 0.005 inches seem to be unusual.

Personally, I prefer to stay very strict to this settings to be able later to see as close as possible the result under Adobe Illustrator or Acrobat Pro.
Nevertheless, most of the rental materials are printed on 1200 DPI.

Best regards,
Wess


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Post Edited (Wess-Music) : 4/22/2012 3:51:37 PM (GMT-5)

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Wess
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   Posted 4/22/2012 4:20 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Jari Williamsson said...
Regarding line thickness, please don't miss the interview with Steve Fiskum that was published on the Finalemusic blog a couple of weeks ago.


Hi Jari,

I tried to find the interview you are talking about, but no any success so far.
Please, post a link.

Thank you.
Wess


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Peter Thomsen
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   Posted 4/22/2012 4:54 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Here is the link:

blog.finalemusic.com/post/2012/04/05/Finale-and-the-Roman-Missal.aspx



Quoting the interview section about line thickness:

"Scott Yoho:
You mentioned you need to do this (= send test files to the printer to make sure they all work the same for them that they do for us; PT) with line thicknesses.
I guess most people would assume this is a constant with modern printers.

Steve Fiskum:
Whenever I’m working with a new printer I send out test samples for staff line thickness.
They FedEx hard copies back to us and we review.
All presses are different—even within the same plant.
Each can output the same PDF I provide in different ways.
With the new digital presses, the lines seem to be getting thinner, more precise.
I am fascinated by the huge differences subtle line thickness can cause.
If the line thickness is too thick, the notes appear to go back and seem too small.
Thinner lines help bring out the music.
That’s part of the beauty of the art of music engraving.
It’s a little geeky, but it’s something I love about all of this.
And that’s what keeps me going.
Finale lets me tweak anything to make it look exactly the way I need it to look."



Peter


Mac Finale, 2011c & 2012, Dolet 6 plug-in, Mac OS X 10.6.8, iMac Intel Core i7, 2.93 GHz, 16 GB RAM

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OCTO.
The radical answers.



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   Posted 4/22/2012 4:55 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
It is about the Catholic music book.


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cGilmore
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   Posted 4/23/2012 11:18 PM (GMT -6)    Quote This PostAlert An Admin About This Post.
Do any of y'all change your line thickness settings based on whether you're working with scores or parts? Meaning, do you have one file with settings appropriate for scores and one file for settings appropriate for parts?

It's nothing that I've ever done, but I have been thinking about experimenting with doing something like this (maybe even changing the notehead font—Maestro vs Engraver for example)?


Corey Gilmore
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Dr. Wiggy
Early music: modern methods



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   Posted 4/24/2012 3:58 AM (GMT -6)    Quote This PostAlert An Admin About This Post.
Personally, I think it makes more sense to use points as the unit of measurement for these sorts of things, rather than thousands of an inch!

Here's something that I kept from a discussion on this forum a while ago. I can't remember who wrote it, I'm afraid:

In a Finale 2009 document, the default thicknesses are (all measurements in spaces):
Barlines: 0.14583
Heavy Barlines (i.e., Final Barlines): 0.5
Staff lines: 0.14583
Leger Lines: 0.14583
Stems: 0.14583

In a Sibelius 5 document:
Barlines: 0.16
Heavy Barlines (i.e., Final Barlines): 0.5
Staff lines: 0.1
Leger lines: 0.16
Stems: 0.1

So indeed, in Sibelius the defaults reflect a difference between the barline width and the staff line width, while in Finale, they do not.

In the Essential Dictionary of Music Notation (Alfred), for instance, they say that "the thickness of a barline is equal to, or greater than, the staff line thickness (staff lines being thicker than stems)." Re leger lines: "leger lines are the same line weight as staff lines, or slightly heavier."

Here are the same settings as they're found in the 'European' document style.
Barlines: 0.1875
Heavy Barlines (i.e., Final Barlines): 0.5
Staff lines: 0.09375
Leger Lines: 0.1875
Stems: 0.09375


"This is me helping."

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Edirol FA-66; M-Audio Oxygen 61; Yamaha PSR-410
Ancient Groove Music www.ancientgroove.co.uk

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